Whether the inflections give shape to an overdosed lost paradise, a dreamy carousel that accepts the death to come, down-to-earth reactivity or resilient aplomb, the soprano is stunning. The beauty of this Aida also comes from her, and for much of it. – Opera-Online.com
The embodiment, however, is touching from start to finish, so much emotion emerges from a melodic design all cantabile and delicate. – Diapason
The Lebanese/Canadian soprano Joyce El-Khoury elegantly embodied the title role of Tosca. Clad in Pier Luciano Cavallotti’s sophisticated dresses, El-Khoury’s Tosca was visually arresting, her artistic temperament, fidelity, uncontrollable passion and total despair seamlessly exhibited as the drama proceeded. – Opera Today
Joyce El-Khoury, in the role of Tosca, played the role with elegance, a rich voice, and an intelligent and dramatic interpretation – Ópera Actual
El-Khoury possesses the ideal voice for the soprano part in Verdi’s Requiem: a beautiful and distinct timbre, easily capable of communicating emotions, supple and able to soar into the stratosphere. – Concertonet.com
The opera is dominated by low-voiced men, counterbalanced by the soft-voiced innocence of Amelia, the only woman in the opera. The sensuous Joyce El-Khoury sang the role of the orphan girl Amelia with great beauty, delicately phrased and, despite her hard fate, glowing with nobility. – KU.fi
The only female role of the male-dominated Simon Boccanegra, is Amelia...Joyce El-Khoury charmed in the role with her heavenly soft melodies. – SUOMEN KUVALEHTI
Soprano Joyce El-Khoury is very good at giving voice to Amelia/Maria. Of Lebanese-Canadian origin she made us discover a soprano who has a mature and beautiful voice, also giving us perfect diction. Very careful in the emission of sounds, perfect in the vocal passages and in the scenic parts. – Operateatro.it
Soprano Joyce El-Khoury [Amelia/Maria] stands out in Pierre Audi’s production of Simon Boccanegra…her high piano notes as the Doge's daughter were a delight to listen to. – Helsingin Sonomat
Joyce El-Khoury delivers an athletic performance as Christine of Sweden [La Reine-Garçon], torn between duty and love…The final "Libérez-moi!" sung at full volume, kneeling on stage, was enough to send shivers down the spine. – Ludwig-van.com
