A credible actress, the most appreciable of her singing came from the smooth passages, those that move between prayer and lament, as the last ‘Al dolce guidami’, recreated in an exquisite and precious way. – Platea Magazine
In the final scene, the way she [El-Khoury] resolved the difficult dramatic transition between the madness of the cavatina & the sanity of the cabaletta was astonishing. She dressed the dreaminess of the cavatina, ‘Al dolce guidami’, with all its lyrical finery, dynamic prowess and vocal filigree to make it the highlight of the evening. – El País
