admin – Page 4 – Joyce El-Khoury

Joyce El-Khoury, in the role of Tosca, played the role with elegance, a rich voice, and an intelligent and dramatic interpretation

– Ópera Actual

Joyce’s 24/25 Season Announced

Explore Joyce's 2024/2025 season, purchase tickets and read all about new productions & roles as well as returning favorites! Explore here: https://joyceelkhoury.com/2024-2025-calendar/

By admin

July 5, 2024

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NEWS

El-Khoury possesses the ideal voice for the soprano part in Verdi’s Requiem: a beautiful and distinct timbre, easily capable of communicating emotions, supple and able to soar into the stratosphere.

– Concertonet.com

The opera is dominated by low-voiced men, counterbalanced by the soft-voiced innocence of Amelia, the only woman in the opera. The sensuous Joyce El-Khoury sang the role of the orphan girl Amelia with great beauty, delicately phrased and, despite her hard fate, glowing with nobility.

– KU.fi

The only female role of the male-dominated Simon Boccanegra, is Amelia...Joyce El-Khoury charmed in the role with her heavenly soft melodies.

– SUOMEN KUVALEHTI

Soprano Joyce El-Khoury is very good at giving voice to Amelia/Maria. Of Lebanese-Canadian origin she made us discover a soprano who has a mature and beautiful voice, also giving us perfect diction. Very careful in the emission of sounds, perfect in the vocal passages and in the scenic parts.

– Operateatro.it

Summer 2024: Joyce Returns To Tosca, Un ballo in maschera & Verdi’s Requiem

This summer, Joyce returns to three important works she has become internationally acclaimed for. First, she returns to the fiery role of Tosca with The New National Theatre of Tokyo under the baton of Maurizio Benini. She then returns to

By admin

June 1, 2024

0

NEWS

Soprano Joyce El-Khoury [Amelia/Maria] stands out in Pierre Audi’s production of Simon Boccanegra…her high piano notes as the Doge's daughter were a delight to listen to.

– Helsingin Sonomat

Joyce Debuts Amelia/Maria in Verdi’s Simon Boccanegra

Joyce adds another Verdi heroine to her extensive repertoire, debuting the role of Amelia/Maria in Verdi's Simon Boccanegra at the Finnish National Opera & Ballet (Ooppera & Baletti). The impactful story of Simon Boccanegra invites the audience on a visually

By admin

February 27, 2024

0

NEWS

Joyce El-Khoury delivers an athletic performance as Christine of Sweden [La Reine-Garçon], torn between duty and love…The final "Libérez-moi!" sung at full volume, kneeling on stage, was enough to send shivers down the spine.

– Ludwig-van.com

Author: admin

Joyce El-Khoury, in the role of Tosca, played the role with elegance, a rich voice, and an intelligent and dramatic interpretation

Joyce’s 24/25 Season Announced

El-Khoury possesses the ideal voice for the soprano part in Verdi’s Requiem: a beautiful and distinct timbre, easily capable of communicating emotions, supple and able to soar into the stratosphere.

The opera is dominated by low-voiced men, counterbalanced by the soft-voiced innocence of Amelia, the only woman in the opera. The sensuous Joyce El-Khoury sang the role of the orphan girl Amelia with great beauty, delicately phrased and, despite her hard fate, glowing with nobility.

The only female role of the male-dominated Simon Boccanegra, is Amelia...Joyce El-Khoury charmed in the role with her heavenly soft melodies.

Soprano Joyce El-Khoury is very good at giving voice to Amelia/Maria. Of Lebanese-Canadian origin she made us discover a soprano who has a mature and beautiful voice, also giving us perfect diction. Very careful in the emission of sounds, perfect in the vocal passages and in the scenic parts.

Summer 2024: Joyce Returns To Tosca, Un ballo in maschera & Verdi’s Requiem

Soprano Joyce El-Khoury [Amelia/Maria] stands out in Pierre Audi’s production of Simon Boccanegra…her high piano notes as the Doge's daughter were a delight to listen to.

Joyce Debuts Amelia/Maria in Verdi’s Simon Boccanegra

Joyce El-Khoury delivers an athletic performance as Christine of Sweden [La Reine-Garçon], torn between duty and love…The final "Libérez-moi!" sung at full volume, kneeling on stage, was enough to send shivers down the spine.

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