On the soprano side, the moving Joyce El-Khoury, Rouen's Aïda, presents a comparable profile... – Le Figaro
The beautiful lyric soprano voice develops moments of chiaroscuro, perfectly at ease with piani and control of the vocal line...the artist proves particularly engaging and delivers a nuanced and rich portrayal of the beautiful slave in love. – Ôlyrix
Joyce El-Khoury [...] assumes her destiny with panache, whether facing her father or her lover, faithful to her idea of pure love. – Resmusica
Whether the inflections give shape to an overdosed lost paradise, a dreamy carousel that accepts the death to come, down-to-earth reactivity or resilient aplomb, the soprano is stunning. The beauty of this Aida also comes from her, and for much of it. – Opera-Online.com
The embodiment, however, is touching from start to finish, so much emotion emerges from a melodic design all cantabile and delicate. – Diapason
The Lebanese/Canadian soprano Joyce El-Khoury elegantly embodied the title role of Tosca. Clad in Pier Luciano Cavallotti’s sophisticated dresses, El-Khoury’s Tosca was visually arresting, her artistic temperament, fidelity, uncontrollable passion and total despair seamlessly exhibited as the drama proceeded. – Opera Today
Joyce El-Khoury, in the role of Tosca, played the role with elegance, a rich voice, and an intelligent and dramatic interpretation – Ópera Actual
El-Khoury possesses the ideal voice for the soprano part in Verdi’s Requiem: a beautiful and distinct timbre, easily capable of communicating emotions, supple and able to soar into the stratosphere. – Concertonet.com
The opera is dominated by low-voiced men, counterbalanced by the soft-voiced innocence of Amelia, the only woman in the opera. The sensuous Joyce El-Khoury sang the role of the orphan girl Amelia with great beauty, delicately phrased and, despite her hard fate, glowing with nobility. – KU.fi
