puccini Tag

Name: SYLVIA L'Ange de Nisida Donizetti
Start: 2018-7-18T19-19-30-00
End: 2018-7-18T23-23-50-00
Location: Royal Opera House, Covent Garden

La Bohème LIVE STREAM at Teatro Real

Tune in to Teatro Real's LIVE FEED of Puccini's La Bohème (2pm EST, 7pm GMT, 8pm CET)! Joyce is Musetta, Anita Hartig is Mimi, Stephen Costello is Rodolfo, Joan Martin-Royo is Schaunard, Etienne Dupuis is Marcello, Mika Kares is Colline,

By admin

December 29, 2017

la boheme, NEWS, Puccini, Teatro Real

La boheme, puccini, Teatro Real

As the heartbroken Liu, soprano Joyce El-Khoury pleads with him in “Signore, ascolta!” full of desperate pain and high ghostly notes so delicate they almost seem to disappear into the air. While still considered a supporting character, Liu remains a musical focus of the piece and becomes the tragic heroine, brilliantly handled by El-Khoury in “Tu che di gel sei cinta” as she makes her final sacrifice.

– DCMetroTheaterArts

Joyce El-Khoury, an Academy of Vocal Arts graduate, stole everybody's heart as the slave girl Liu, thanks to her convincing portrayal, and floated high notes that recalled the glory years of Montserrat Caballé. Yes, really.

– Philly.com

Philadelphia Inquirer likens Joyce’s Liù performance to the “glory years of Montserrat Caballé”

Reviews have started coming in for Opera Philadelphia's Turandot! Here's a quote highlighting Joyce: "Joyce El-Khoury, an The Academy of Vocal Arts graduate, stole everybody's heart as the slave girl Liu, thanks to her convincing portrayal, and floated high notes that

By admin

September 26, 2016

Liu Opera Philadephia, NEWS

liu, opera Philadelphia, puccini, tosca

DRESS FOR SUCCESS
Soprano Joyce El-Khoury on what it takes to inhabit two unique, challenging roles in Canadian Opera’s La Bohème

by Joyce El-Khoury, published in National Post, Monday, September 23, 2013 (front page Arts) photo credit: De Nederlandse Opera, Hans van den Bogaard May 2013 Who am I? A question that I’ve been asking myself for the last few weeks. This question

By admin

September 23, 2013

belisario, features, jek, mimi COC, musetta coc

belisario, canadian opera company, La Traviata, mimi, musetta, opera rara, puccini, Verdi, Violetta

18jul7:30 pmSYLVIA L'Ange de Nisida DonizettiRoyal Opera House, Covent Garden / Opera Rara

21jul7:30 pmSYLVIA L'Ange de Nisida DonizettiRoyal Opera House, Covent Garden / Opera Rara

19aug7:30 pmMIRRA Sardanapolo LisztWeimar Staatskapelle

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Under its Principal Conductor Kirill Karabits, the Staatskapelle Weimar will give the world premiere of a rediscovered Italian opera Sardanapalo by Franz Liszt – which was left incomplete and has lain largely forgotten in a German archive for almost 100 years. ‘The name of the composer Franz Liszt has never been associated with Italian opera’, Karabits explains. ‘I’m delighted to be conducting the premiere of Sardanapalo in Weimar. This discovery should open a new page not only in Liszt’s musical heritage but also in the music history of the 19th century.’ Act I of the opera survives complete. This will be presented in a concert version.

The music has been resurrected by David Trippett, Senior Lecturer in the Faculty of Music at the University of Cambridge. He discovered the opera manuscript was legible more than ten years ago, a century after it had been catalogued and largely forgotten in the Goethe- und Schiller-Archiv in Weimar. ‘The music that survives is breath-taking – a unique blend of Italianate lyricism and adventurous harmonic turns and side-steps’, Trippett explains. ‘There is nothing else quite like it in the operatic world. It is suffused with Liszt’s characteristic style, but contains elements from Bellini and Meyerbeer, alongside glimmers of Wagner.’

On 19 and 20 August 2018, soprano Joyce El-Khoury and tenor Charles Castronovo will lead the cast in the world premiere of this notable work in Weimar, where Liszt composed it and where he served as Kapellmeister of the Hofkapelle, today’s Staatskapelle Weimar.

The libretto, based on Lord Byron’s tragedy Sardanapalus, is topical. It tells the story of Sardanapalo, King of ancient Assyria (modern-day Syria and Northern Iraq). He is a peace-loving monarch, more interested in revelry and women than politics and war. He deplores violence and brutality, and, perhaps naively, he believes in the innate goodness of humankind, but is overthrown by rebels and burns himself alive with his lover, amid scents and spices, in a great inferno. Liszt’s opera focusses on the love between king Sardanapalo and his favourite concubine, Mirra, who seeks to persuade the king to go to war to defend his realm, against his better judgment.

Known only to a handful of Liszt scholars, the manuscript – with much of its music written in shorthand and only one act completed – was assumed to be fragmentary, often illegible and consequently indecipherable. However, after Trippett spent the last three years working critically on the manuscript, including using Liszt’s own instructions for orchestrating the score, the music can be heard for the first time. As the Cambridge academic explained: ‘Fortunately, Liszt left just enough information to retrieve what was evidently the continuous musical conception he had at the time. We will never know why exactly he abandoned his work on the opera. It seems Liszt was not satisfied with the libretto for Acts II and III.’ Trippett adds: ‘I suspect he would have been surprised to learn that Act I is resurfacing in the 21^st century. But I like to think he would have smiled on it.’

The world premiere concert performance will be broadcast on Deutschlandfunk Kultur, and a recording will be released with audite.

A trailer with extracts of ‘Sardanapalo’ can be seen here, a research documentary chronicling the resurrection is here, and a short aria is available here.

A critical edition of the music will be published by Editio Musica Budapest (Universal Music Publishing) in 2019, and the underlying research will appear in the Journal of the Royal Musical Association later this year.

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(Sunday) 7:30 pm

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puccini Tag

La Bohème LIVE STREAM at Teatro Real

Joyce El-Khoury, an Academy of Vocal Arts graduate, stole everybody's heart as the slave girl Liu, thanks to her convincing portrayal, and floated high notes that recalled the glory years of Montserrat Caballé. Yes, really.

Philadelphia Inquirer likens Joyce’s Liù performance to the “glory years of Montserrat Caballé”

DRESS FOR SUCCESS
Soprano Joyce El-Khoury on what it takes to inhabit two unique, challenging roles in Canadian Opera’s La Bohème

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puccini Tag

La Bohème LIVE STREAM at Teatro Real

Joyce El-Khoury, an Academy of Vocal Arts graduate, stole everybody's heart as the slave girl Liu, thanks to her convincing portrayal, and floated high notes that recalled the glory years of Montserrat Caballé. Yes, really.

Philadelphia Inquirer likens Joyce’s Liù performance to the “glory years of Montserrat Caballé”

DRESS FOR SUCCESS Soprano Joyce El-Khoury on what it takes to inhabit two unique, challenging roles in Canadian Opera’s La Bohème

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DRESS FOR SUCCESS
Soprano Joyce El-Khoury on what it takes to inhabit two unique, challenging roles in Canadian Opera’s La Bohème