2018-19 CALENDAR

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Opera Canada is proud to announce the three distinguished honourees who will receive the 2018 Opera Canada Awards for their exemplary contributions to the industry:

Wayne Gooding, opera educator and Editor, Opera Canada (1994-2017)

Dominique Labelle, soprano and vocal pedagogue

Alexander Neef, General Director, Canadian Opera Company and Artistic Director, Santa Fe Opera

Selected by a committee comprising of leading opera professionals from across the country, our three honourees will be celebrated at a gala award evening on October 22, 2018 at First Canadian Place in downtown Toronto.

Opera Canada magazine first introduced the Opera Canada Awards in 2000, which were nicknamed ‘The Rubies,’ in honour of its founding Editor, Ruby Mercer. The Rubies celebrate the talent and accomplishments of Canadians who have made a significant contribution to the opera world as artists, builders, administrators and philanthropists.

PERFORMANCE BY
Joyce El-Khoury, soprano
Rachel Andrist, piano

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

Sänger*innen und Publikum lieben Belcanto! Wir zeigen nach Anna Bolena eine weitere Oper aus Donizettis Trilogie über die Dynastie der Tudors. Die unglückliche Liebesgeschichte zwischen Roberto und Elisabeth I. von England, die Devereux letztendlich das Leben kosten wird, hat der Komponist in wunderbar gefühlvolle Melodien gegossen. Am Ende der Oper erkennt die Königin, dass sie keine Hoffnung mehr auf eine glückliche Zukunft hat, verzichtet auf den Thron und beendet die Herrschaft des Hauses Tudor. Das Lieben, Leiden und Schmachten der Figuren erreicht uns beim Zuhören unmittelbar. Eine große Huldigung an die Gesangskunst des Komponisten von Der Liebestrank (L’elisir d’amore)! Für die Karlsruher Ensemblemitglieder Kammersängerin Ina Schlingensiepen als Königin Elisabeth, Eleazar Rodriguez als Roberto Devereux und Armin Kolarczyk in der Rolle des Herzogs von Nottingham sind Donizettis Melodien Parade-Partien.

Der britische Regisseur und Belcanto-Spezialist Harry Fehr gibt nach Erfolgen in Großbritanien und Dänemark mit Roberto Devereux sein Deutschland-Debüt am STAATSTHEATER.

MUSIKALISCHE LEITUNG Daniele Squeo REGIE Harry Fehr
BÜHNE Yannis Thavoris KOSTÜME Mark Bouman LICHT Rico Gerstner CHOR Ulrich Wagner DRAMATURGIE Deborah Maier

BADISCHE STAATSKAPELLE & BADISCHER STAATSOPERNCHOR