2018-19 CALENDAR

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Opera Canada is proud to announce the three distinguished honourees who will receive the 2018 Opera Canada Awards for their exemplary contributions to the industry:

Wayne Gooding, opera educator and Editor, Opera Canada (1994-2017)

Dominique Labelle, soprano and vocal pedagogue

Alexander Neef, General Director, Canadian Opera Company and Artistic Director, Santa Fe Opera

Selected by a committee comprising of leading opera professionals from across the country, our three honourees will be celebrated at a gala award evening on October 22, 2018 at First Canadian Place in downtown Toronto.

Opera Canada magazine first introduced the Opera Canada Awards in 2000, which were nicknamed ‘The Rubies,’ in honour of its founding Editor, Ruby Mercer. The Rubies celebrate the talent and accomplishments of Canadians who have made a significant contribution to the opera world as artists, builders, administrators and philanthropists.

PERFORMANCE BY
Joyce El-Khoury, soprano
Rachel Andrist, piano

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

Tatyana’s quiet existence is turned upside down with the arrival of the handsome and charismatic Onegin. Romantic fantasies burst into vivid reality, inspiring Tatyana’s famous letter, which Onegin arrogantly rejects. Years later, separated by time and circumstance, they are reunited for one final, explosive encounter.

Acclaimed for its beauty and elegant simplicity, this stunning production, originally created for the Metropolitan Opera, is directed by Robert Carsen and designed by Michael Levine, two Canadian visionaries of the opera stage. [text from COC website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

With the flickering of a candle, love sparks. Two hands meet in the dark and four friends’ lives are changed forever.

The way first love grabs hold and floods you with something you’ve never felt before. The fire that burns the first time jealousy flares. The growing up you do in the instant that you realise love can’t last forever. Puccini takes these achingly human feelings and sets them to music — music that soars with the ecstasy of love, crackles with the pain of jealousy and cries with the agony of loss.

Some human emotions are too big for words alone, and for that, we have music. La Bohème exposes your soul to the feelings that only music can express.

Gale Edwards’ glittering production is set among the fishnets and fairy lights of 1930s bohemian Berlin.

Two brilliant casts share the season led by three Australian conductors. Joyce El-Khoury and Ivan Magrì make their Australian debuts as Mimì and Rodolfo, alongside the return of audience favourites Anna Princeva, Samuel Dundas, Maija Kovalevska, Diego Torre, Julie Lea Goodwin, Luke Gabbedy and Lorina Gore. [text from Opera Australia Website]

Sänger*innen und Publikum lieben Belcanto! Wir zeigen nach Anna Bolena eine weitere Oper aus Donizettis Trilogie über die Dynastie der Tudors. Die unglückliche Liebesgeschichte zwischen Roberto und Elisabeth I. von England, die Devereux letztendlich das Leben kosten wird, hat der Komponist in wunderbar gefühlvolle Melodien gegossen. Am Ende der Oper erkennt die Königin, dass sie keine Hoffnung mehr auf eine glückliche Zukunft hat, verzichtet auf den Thron und beendet die Herrschaft des Hauses Tudor. Das Lieben, Leiden und Schmachten der Figuren erreicht uns beim Zuhören unmittelbar. Eine große Huldigung an die Gesangskunst des Komponisten von Der Liebestrank (L’elisir d’amore)! Für die Karlsruher Ensemblemitglieder Kammersängerin Ina Schlingensiepen als Königin Elisabeth, Eleazar Rodriguez als Roberto Devereux und Armin Kolarczyk in der Rolle des Herzogs von Nottingham sind Donizettis Melodien Parade-Partien.

Der britische Regisseur und Belcanto-Spezialist Harry Fehr gibt nach Erfolgen in Großbritanien und Dänemark mit Roberto Devereux sein Deutschland-Debüt am STAATSTHEATER.

MUSIKALISCHE LEITUNG Daniele Squeo REGIE Harry Fehr
BÜHNE Yannis Thavoris KOSTÜME Mark Bouman LICHT Rico Gerstner CHOR Ulrich Wagner DRAMATURGIE Deborah Maier

BADISCHE STAATSKAPELLE & BADISCHER STAATSOPERNCHOR

Créé en 2013, le concept de L’INSTANT LYRIQUE a déjà attiré et séduit plus de deux mille privilégiés, en leur proposant des récitals lyriques intimes et uniques servis par des artistes de renommée mondiale dans des endroits insolites tels que notre dôme.

“Furtif et rare, ai-je dit un jour, L’INSTANT LYRIQUE est un luxe, celui qui nous permet d’écouter, d’approcher les artistes différemment. Champagne dans les salons, récital dans le Dôme !”
Richard Plaza
Directeur artistique de L’INSTANT LYRIQUE

LES ARTISTES
Joyce El-Khoury – Soprano
Antoine Palloc – Piano

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics. WNO’s talented orchestral musicians are joined by conductor Harry Ogg and soloists Joyce El-Khoury and Jason Howard for this special concert.

The programme journeys through a wealth of operatic repertoire including works by Verdi, Puccini, Dvořák and Wagner. We also enter the world of musical theatre, and feature delights from Rodgers and Hammerstein’s South Pacific.

With much-loved favourites and a few lesser-known gems, be sure to book soon for an unforgettable evening of opera.

Wagner: Prelude to Die Meistersinger von Nürnberg
Verdi: ‘D’amor sull’alli rosee’ from Il trovatore
Verdi: ‘Credo’ from Otello
Mascagni: Intermezzo to Cavalleria rusticana
Verdi: Prelude to Rigoletto
Verdi: ‘Parla, siamo soli’/‘Tutte le festa al tempio’/‘Piangi fanciulla. Si vendetta’ from Rigoletto

Interval

Mozart: Overture to The Magic Flute
Mozart: ‘La li darem la mano’ from Don Giovanni
Puccini: Intermezzo from Manon Lescaut
Puccini: ‘Vissi D’arte’ from Tosca
Giordano: ‘Nemico della Patria’ from Andrea Chenier
Tchaikovsky: Waltz from Eugene Onegin
Dvořák: ‘Song to the Moon’ from Rusalka
Rodgers: Overture to South Pacific
Rodgers: ‘Some Enchanted Evening’ from South Pacific
Lehar: ‘Lippen Schweigen’ from The Merry Widow

The Summer Opera Classics concert on 28 June is dedicated to the memory of Merlyn and Elaine Brown: the gift they left to WNO in their will ensures their passion for opera lives on. [text from WNO Website]

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics. WNO’s talented orchestral musicians are joined by conductor Harry Ogg and soloists Joyce El-Khoury and Jason Howard for this special concert.

The programme journeys through a wealth of operatic repertoire including works by Verdi, Puccini, Dvořák and Wagner. We also enter the world of musical theatre, and feature delights from Rodgers and Hammerstein’s South Pacific.

With much-loved favourites and a few lesser-known gems, be sure to book soon for an unforgettable evening of opera.

Wagner: Prelude to Die Meistersinger von Nürnberg
Verdi: ‘D’amor sull’alli rosee’ from Il trovatore
Verdi: ‘Credo’ from Otello
Mascagni: Intermezzo to Cavalleria rusticana
Verdi: Prelude to Rigoletto
Verdi: ‘Parla, siamo soli’/‘Tutte le festa al tempio’/‘Piangi fanciulla. Si vendetta’ from Rigoletto

Interval

Mozart: Overture to The Magic Flute
Mozart: ‘La li darem la mano’ from Don Giovanni
Puccini: Intermezzo from Manon Lescaut
Puccini: ‘Vissi D’arte’ from Tosca
Giordano: ‘Nemico della Patria’ from Andrea Chenier
Tchaikovsky: Waltz from Eugene Onegin
Dvořák: ‘Song to the Moon’ from Rusalka
Rodgers: Overture to South Pacific
Rodgers: ‘Some Enchanted Evening’ from South Pacific
Lehar: ‘Lippen Schweigen’ from The Merry Widow

The Summer Opera Classics concert on 28 June is dedicated to the memory of Merlyn and Elaine Brown: the gift they left to WNO in their will ensures their passion for opera lives on. [text from WNO Website]

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics

This summer, WNO Orchestra returns with an ever-popular collection of unmissable opera classics. WNO’s talented orchestral musicians are joined by conductor Harry Ogg and soloists Joyce El-Khoury and Jason Howard for this special concert.

The programme journeys through a wealth of operatic repertoire including works by Verdi, Puccini, Dvořák and Wagner. We also enter the world of musical theatre, and feature delights from Rodgers and Hammerstein’s South Pacific.

With much-loved favourites and a few lesser-known gems, be sure to book soon for an unforgettable evening of opera.

Wagner: Prelude to Die Meistersinger von Nürnberg
Verdi: ‘D’amor sull’alli rosee’ from Il trovatore
Verdi: ‘Credo’ from Otello
Mascagni: Intermezzo to Cavalleria rusticana
Verdi: Prelude to Rigoletto
Verdi: ‘Parla, siamo soli’/‘Tutte le festa al tempio’/‘Piangi fanciulla. Si vendetta’ from Rigoletto

Interval

Mozart: Overture to The Magic Flute
Mozart: ‘La li darem la mano’ from Don Giovanni
Puccini: Intermezzo from Manon Lescaut
Puccini: ‘Vissi D’arte’ from Tosca
Giordano: ‘Nemico della Patria’ from Andrea Chenier
Tchaikovsky: Waltz from Eugene Onegin
Dvořák: ‘Song to the Moon’ from Rusalka
Rodgers: Overture to South Pacific
Rodgers: ‘Some Enchanted Evening’ from South Pacific
Lehar: ‘Lippen Schweigen’ from The Merry Widow

The Summer Opera Classics concert on 28 June is dedicated to the memory of Merlyn and Elaine Brown: the gift they left to WNO in their will ensures their passion for opera lives on. [text from WNO Website]

Festival Napa Valley uncorks its 14th season with a glamorous alfresco celebration and a performance by three of the world’s most exciting opera stars at Meadowood Napa Valley.

Soprano Joyce El-Khoury, tenor Francesco Demuro, and baritone Lucas Meachem perform operatic favorites with the Festival’s Blackburn Music Academy Orchestra on the estate’s elegant Redwood Fairway.

The Lebanese-Canadian soprano Joyce El-Khoury has performed at some of the world’s most esteemed opera houses. Celebrated for her “star power and superb vocal presence” (BachTrack), she has gained a reputation for bringing rarely performed works to life. Joining her are Grammy Award-winning baritone Lucas Meachem, who was praised by the San Francisco Chronicle for his “fluent, lyrical phrasing,” and named San Francisco Opera’s 2016 Emerging Star of the Year, and festival favorite Sardinian tenor Francesco Demuro, celebrated for his “open, bright, superbly focused tone…reminiscent of Pavarotti” (Opera News).

Star power, a gourmet feast prepared by Meadowood’s exceptional culinary team, and Napa’s finest wines – Festival Napa Valley kicks off in style.

Francesco Demuro, Lucas Meachem and Joyce El-Khoury appear as part of
the Jan Shrem and Maria Manetti Shrem Vocal Arts Series

Blackburn Music Academy Orchestra, Christian Reif, conductor

Joyce El-Khoury, soprano
Jason Howard, baritone
Brian Finley, piano

The world of opera comes to the Barn stage with international singers Joyce El-Khoury (soprano) and Jason Howard (baritone). Receiving Juno attention for her debut album Écho, Joyce has performed leading roles around the world from the Sydney Opera House to Glyndebourne, Canadian Opera Company, Opera National de Bordeaux, Bavarian State Opera and Santa Fe. Of her recent portrayal of Violetta at the Royal Opera House, Covent Garden, critics wrote that “her pianissimi are exquisite, her coloraturas bold, fearless and immaculate, and the expressiveness of her timbre touches the heart.”

Raised in the rich singing tradition of South Wales, Jason Howard is now recognized as one of the UK’s leading performers on the international operatic stage. Known for having a voice “as rich and smooth as old port”, Jason has sung to critical acclaim throughout Europe and North America, in addition to his many UK engagements.

Accompanied by Brian Finley at the piano, the program includes Vissi D’Arte (Tosca), Credo (Otello), and other arias and duets selected from Don Giovanni, La traviata, Eugene Onegin, The Merry Widow and more.

Turandot’s beauty is matched only by her cruelty. To her admirers, she offers a deadly game: solve three riddles and win her hand in marriage. Answer incorrectly and die by the executioner’s blade. As the latest suitor is beheaded before a stunned crowd, a stranger steps forward to accept the challenge, hiding a riddle of his own.

The most ambitious and dazzling opera of Puccini’s career is reimagined in a new production by legendary director Robert Wilson, “a towering figure in the world of experimental theater.” The New York Times.

[text from Canadian Opera Company Website]

Turandot’s beauty is matched only by her cruelty. To her admirers, she offers a deadly game: solve three riddles and win her hand in marriage. Answer incorrectly and die by the executioner’s blade. As the latest suitor is beheaded before a stunned crowd, a stranger steps forward to accept the challenge, hiding a riddle of his own.

The most ambitious and dazzling opera of Puccini’s career is reimagined in a new production by legendary director Robert Wilson, “a towering figure in the world of experimental theater.” The New York Times.

[text from Canadian Opera Company Website]

Turandot’s beauty is matched only by her cruelty. To her admirers, she offers a deadly game: solve three riddles and win her hand in marriage. Answer incorrectly and die by the executioner’s blade. As the latest suitor is beheaded before a stunned crowd, a stranger steps forward to accept the challenge, hiding a riddle of his own.

The most ambitious and dazzling opera of Puccini’s career is reimagined in a new production by legendary director Robert Wilson, “a towering figure in the world of experimental theater.” The New York Times.

[text from Canadian Opera Company Website]

Turandot’s beauty is matched only by her cruelty. To her admirers, she offers a deadly game: solve three riddles and win her hand in marriage. Answer incorrectly and die by the executioner’s blade. As the latest suitor is beheaded before a stunned crowd, a stranger steps forward to accept the challenge, hiding a riddle of his own.

The most ambitious and dazzling opera of Puccini’s career is reimagined in a new production by legendary director Robert Wilson, “a towering figure in the world of experimental theater.” The New York Times.

[text from Canadian Opera Company Website]

Turandot’s beauty is matched only by her cruelty. To her admirers, she offers a deadly game: solve three riddles and win her hand in marriage. Answer incorrectly and die by the executioner’s blade. As the latest suitor is beheaded before a stunned crowd, a stranger steps forward to accept the challenge, hiding a riddle of his own.

The most ambitious and dazzling opera of Puccini’s career is reimagined in a new production by legendary director Robert Wilson, “a towering figure in the world of experimental theater.” The New York Times.

[text from Canadian Opera Company Website]

Cry, ‘bravo!’ to Italian opera classics at a gala evening featuring Joyce El-Khoury and Michael Fabiano, in aid of The Passage.

Hear arias, ensembles and choruses presented by Petroc Trelawny and conducted by Toby Purser, with the award-winning Streetwise Opera, Orion Orchestra and Orion Chorus on stage.

The Passage is a charity that provides resources to encourage, inspire and challenge homeless people to transform their lives.

Performers
Orion Orchestra
Toby Purser conductor
Joyce El-Khoury soprano
Michael Fabiano tenor
Orion Chorus
Streetwise Opera

Repertoire
Programme includes: –
Rossini: Overture; Largo al factotum from The Barber of Seville
Catalani: Ebben? Ne andrò lontana from La Wally
Verdi: Quando le sere al placido from Luisa Miller; Chorus of the Hebrew Slaves from Nabucco
Mascagni: Intermezzo from Cavalleria rusticana
Puccini: Torna ai felici di from Le villi; O soave fanciulla from La bohème; Nessun Dorma from Turandot

[text and programme from Royal Festival Hall Website]